How smartphones became our personal portable data banks

During last couple of decades, it is stating the obvious to say that mobile telecommunications has entirely changed the world we live in. Over this period we have gradually switched from handwritten paper contact notebooks to electronic contact records in our mobile phones, however it is not only the phone numbers we store in our phones anymore: with the development of smartphones, they became or own personal data banks.

Alongside the contacts, our small electronic friends now store so much data (passwords, photos, music, sometimes even medical records and biometric parameters etc.) that losing our device would most likely be a total disaster for one’s day-to-day routine. Some people even don’t remember their passwords from social media accounts, because their phones keep them securely stored in their memory.

Loss of that sensitive data may be a problem, but it is transfer to another device is even more problematic.

Everyone has, least once in their life, switched from one mobile phone to another. Back in 2000’s it wasn’t such a big deal: you switched the SIM card and all your data is easily transferred to the new phone. Those were the good old days when the contacts were stored on the SIM card and there was no hassle with gigabytes of photos and music. These earlier phones pretty much were meant to ring and exchange texts back then: no cameras, no players, not even mentioning the mobile internet.

It was later in 2006-2007, when the smartphone market started to emerge, the problem of data transfer between two devices became bigger when different mobile operating systems decided to develop in completely different directions.

By the beginning of 2010’s it became obvious that data transfer between Android and iOS devices became so difficult and time consuming, that leading developers could not ignore consumers’ complaints anymore, and a revolutionary step was taken.

 As one of the market leaders and most innovative consumer electronics companies, Apple made iPhone owners’ life easier, by launching of the “Move to iOS” app that provided an easy way to move contacts and other data from an Android phone to an iPhone.

Google, as Apple’s biggest rivals on mobile operating systems market, developed similar technology in their own mobile device, called Pixel. They even included a dedicated adapter to make data transfer procedure easier.

According to Google, the new Pixel phones ship with a dedicated Switch capability that allows users to transfer contacts, calendar events, photos, videos, music, SMS messages, iMessages and more from one device to the other. Quick Switch Adapter technology is a dedicated On the Go adapter that is shipped within the Pixel box, which Google confirms within its Pixel specs.

Google describes the switch as a three-step process. Older phones have to run on Android 5.0 and up, or iOS 8 and above for iPhones.

If data has to be transferred from an older Android phone, the process is relatively simple. For iPhone users, they turn off iMessage and FaceTime, then remove the SIM card. Then it is required to sign into your Google Account from the Pixel. Finally, Google will ask the user to select what data needs to be imported.

Once that’s all decided, Google takes over and migrates the requested data. It’s as simple as that.

These developments are a great example of how consumers benefit from a healthy market competition and innovative thinking about how to secure personal data that smartphones carry nowadays. Anyone who is somehow related to IT industry will tell you: ALWAYS do backups of your data. No matter how secure you think all the cloud technology systems and personal hard drives are, just remember one thing: once data is lost – it is lost forever.

Therefore, as a conclusion to this article, we at Falcon Technologies International strongly recommend to use dedicated archival optical media solutions to store all the sensitive and valuable data, that you would like to keep secure for a long time. It doesn’t take too much time to burn couple of DVDs, but it will ensure that your data is insured.

High-resolution audio: everything you need to know

High-resolution audio (HRA) has emerged as arguably the ultimate sonic selection for digital music fans, but what’s it all about, what do you need and how can you get it?

In the last couple of years, high-resolution audio (HRA) has hit the mainstream sound recording and distribution, due to the release of more devices and services that support the new format.

From dedicated devices like Neil Young’s PonoPlayer and the latest Sony Walkmans, to games consoles like the Play Station 4, smartphones like the Sony Xperia Z5 it seems everyone’s is joining this movement towards taking of the sound recording industry to the next level of quality.

So how does high-res differ from standard digital music formats? Downloads from sites such as Amazon and iTunes, and streaming services such as Spotify, use compressed file formats with relatively low bitrates, such as 256kbps AAC files on iTunes and 320kbps MP3 streams on Spotify.

The use of AAC or MP3 compression leads to partial data loss in the encoding process, which means resolution is sacrificed for the sake of convenience and smaller file sizes. With regards to sound quality, then, these formats aren’t telling the full story of our favourite songs. This might be fine on the bus when you’re listening to your smartphone, but serious music fans should want better. This is where high-resolution audio – or HRA, the term coined by the Consumer Electronics Association – steps in.

Astell & Kern, LG, Samsung, Sony and Pioneer are just some of the companies to have launched hi-res audio compatible products, while several download sites now offer. HRA also has the support of major labels and musicians.

It’s worth pointing out that the definition of high-resolution audio isn’t set in stone. Unlike high-definition video, which has to meet certain criteria to earn the name, there’s no universal standard for hi-res audio.

But the term tends to refer to audio that has a higher sampling frequency. High-resolution audio files usually use a sampling frequency of 96kHz or 192kHz at 24-bit, but you can also have 88.2kHz and 176.4kHz files too.

Sampling frequency refers to the number of times samples are taken per second when the analogue sound waves are converted into digital. The more bits there are, the more accurately the signal can be measured in the first place, so 16-bit to 24-bit can reveal a noticeable leap in quality.

There are several high-resolution audio file formats to choose from, all of which support the above sampling rates and bit-depths. They include FLAC (Free Lossless Audio Codec) and ALAC (Apple Lossless Audio Codec), both of which are compressed but in a way where (in theory) no information is lost.

Other formats include WAV, AIFF and DSD, the format used for Super Audio CDs. The relative merits of the formats can be argued, but most crucial will be compatibility with your particular products and system.

The Recording Industry Association of America (RIAA) has issued a logo that will show up on every track and album that can be classed as hi-res audio.

Obviously the main claimed benefit of high-resolution audio files is superior sound quality over compressed audio formats. To illustrate why they should sound better than MP3s, for example, let’s compare the relative bitrates. The highest quality MP3 has a bitrate of 320kbps, whereas a 24-bit/192kHz file is transferred at a rate of 9216kbps.

24-bit/96k or 24-bit/192kHz files should therefore more closely replicate the sound quality that the musicians and engineers were working with in the studio.

With more information to play with, high-resolution audio tends to boast greater detail and texture, bringing listeners closer to the original performance.

Manufacturers including Bowers & Wilkins, Naim and Linn have been pushing for and producing high-resolution audio products for some time. We’ve now seen mass-market heavyweights such as LG, Samsung and Sony adopt the format to bring it to a larger audience.

With this wider availability, more people are able to learn and understand exactly what high-resolution audio is, and the benefits it can bring to music. There’s plenty of content out there, and there’s plenty of hardware to go with it. The future for the format looks – and sounds – very bright indeed.

At Falcon Technologies International we firmly believe in the core brand values that our brand is build on, and one of them is Quality. High resolution audio format development is very important step for overall music industry, that is currently taking the entire market to the next level.

As a company that have been continuously making efforts to improve the quality of our products, we understand the importance and praise development of such initiatives as high resolution audio standardization and introduction to the mass market.

Falcon Technologies International has specially designed product line to provide quality media storage for professional duplication and replication – DUPLI Line.

It performs to good quality level with benchmark and quality control tests proving that Dupli Line products have one of the lowest variability rates throughout the industry, which makes them a perfect solution for media duplication. Also, DUPLI Line comes with a no failure guarantee, so that media distributors can be sure that the end consumer will be able to enjoy the high quality media from a high quality storage medium.

 

Source: WhatHiFi

The shiny, plastic memory of the compact disc: when the new format was introduced.

Many people still remember the time when we had to listen to the favorite music from the cassette tapes, or, if you are old enough, even the vinyl records. The least ones seem to gradually come back into our houses, with the introduction of the latest re-invented record players, and there are even some signs of the cassette tape revival that are periodically observed here and there.

But what about the CDs? We kind of heard that they recently migrated from the consumer market to some niche industries like data archiving and medical IT, however there are still some implications of that media on the mass market as well (gaming consoles are still mostly operate on optical discs, as well as offline media distribution).

Anyway, when observing the revival of the media storage formats that preceded CDs and DVDs, one may logically presume that same phase will come one day and for the optical discs. Many people still use optical media for things like music playback, as many claim that sound quality of the studio recorded disc can’t be beaten by anything else.

Saskatoon based writer, editor and columnist with the StarPhoenix and related publications, Cam Fuller still remembers the days when the optical disc started its small industrial revolution, that eventually changed the way we listen to the music and watch the movies. Here are his memories, that reflect those days:

 

The miracle of the compact disc is not forgotten by me.

 

I remember when they first came out. They were impossibly cool. There was no hiss and pop when you put one on, unlike vinyl records. I remember an audiophile magazine article from way back then. The writer was caught off guard after pressing play — with no background noise before the music started, it was like nothing was working at all. You had to trust the song would start eventually and avoid cranking your speakers to full volume on speculation. Many woofers were melted by impatient audio fools, I suspect.

CDs were small and shiny and oh-so modern. Amazingly, they could hold 75 minutes of music, way more than an LP. And you could play them in a car. If you listened to Tom Cochrane’s Life is a Highway on CD when you were literally on the highway, life was just about as good as it could possibly get.

Because of my job, it felt like I had an even closer relationship with CDs than most people. Working in the Entertainment Department put me on the publicity list of every major record label. Since they wanted attention for their bands, they’d send CDs. Lots of CDs. CDs for bands I was doing stories on. CDs for bands I wasn’t. Compilations, movie soundtracks, you name it.

In fact, the three main labels had representatives who’d phone and pop by with boxes of them.

Was I spoiled? Was I ever. Unless it was for somebody else’s Christmas present, I rarely bought a CD, and when I did it was a jolt of reality. “Twenty-three bucks? What a rip.”

This was free music before free music, a golden age before downloading changed everything. My entire music collection consisted of 50 LPs and 25 cassettes. We’re talking 600 songs. Then one day I was drowning in music. “What is Third Eye Blind? I’ll have to give it a whirl. Ooh, the new Aerosmith album!” Having access to all that music was like being able to make it rain when you needed rain. A god-like power.  

And then something happened. Twenty-five years went by. The novelty wore off, to say the least. Digital music took over. And I’m left, on my shelves, with a gallery of the obscure. Kashtin, the soundtrack from the movie The Perez Family, The String Cheese Incident, Woman and Songs 6, The World’s Very Best Opera for Kids. It’s nothing if not diverse.

None of these, by the way, have I listened to in the past 20 years. It wouldn’t feel right selling them but I doubt there’s a market anyway. I can’t in good conscience take them to the landfill. They’re no good for floor tile. I suppose I could wait until they’re cool again — it happened for LPs. And I just read that The String Cheese Incident has a new album. I’m so out of it, I’m cutting-edge.

 

Source: Saskatoon StarPhoenix

Falcon Technologies International hosts International Customer Seminar on April 4th and 5th

Falcon Technologies International recently hosted its international customer seminar in the stunning Ritz Carlton Al Wadi Hotel, which is located in a unique desert environment within our home Emirate of Ras Al Khaimah. We were delighted to welcome approximately 50 delegates who travelled from diverse locations such as France, Germany, Japan, USA and the UK, to discuss the latest developments, opportunities and innovations that make optical media the exciting and progressive industry that it is today.

The entire FTI extended a very warm welcome to all the guests, who enjoyed the superb hospitality of the Al Wadi Hotel, complete activities including a traditional Arabian Falcon show, archery, sailing, go-karting and golf. The presentation session included an overview of the economic growth Ras Al Khaimah has been experiencing in recent years from Mr. Shahram Hashemi, Group Director of Strategy and Investments at RAK Free Trade Zone, along with presentations from the FTI management team with demonstrations of new product development initiatives.

Speaking about the event our CEO Mr. Michael Gutowski said, “We are delighted to host the global optical media community here in our home of Ras Al Khaimah. Having the opportunity to assemble so many of our partners in Ras Al Khaimah was a very positive experience for us at FTI, the optical media industry in general, and for Ras Al Khaimah as a global business hub. We very much hope that all the attendees enjoyed their stay in Ras Al Khaimah, and hope to welcome them back in 2018”.

 

Here are some photo and video highlights from the event:

 

    

Bitcoin: Financial Rebellion or Future of Capital Markets?

Without a doubt, the financial markets drive the world economies to emerge, grow and sometimes collapse. One of the best examples of their negative influence on the world economy is 2008’s World Financial Crisis that was caused by the regional US subprime mortgage market crisis. One may ask: how could one small financial segment failure cause the entire world economy recession?

Everything is interconnected in our heavily globalized world nowadays: a small local market failure or inability to pay against liabilities may trigger a domino effect that will be able to overthrow entire financial systems. Maybe that vulnerability was the main emergence cause of a revolutionary, yet quite questionable financial tool of recent years: the crypto currency called Bitcoin.

World's first cryptocurrency that made it to the international markets
World’s first cryptocurrency that made it to the international markets

 

Bitcoin became a true phenomenon, despite being something that is underscrutinised and underestimated by many even today. A currency that started off as a scientific project and was worth nothing but the cost of electricity consumed to “mine the crypto-blocks” to get it out of the complex algorithm, now it is traded for more than a $1000 for one unit. How did that happen and why? Let’s look into the history of Bitcoin.

In November 2008, at the time when the world economy was shocked by a massive stagnation provoked by the US banking crisis, a paper was posted on the internet under the name Satoshi Nakamoto titled bitcoin: A Peer-to-Peer Electronic Cash System. This paper detailed methods of using a peer-to-peer network to generate what was described as “a system for electronic transactions without relying on trust”.

In January 2009, the bitcoin network came into existence with the release of the first open source bitcoin client and the issuance of the first bitcoins, with Satoshi Nakamoto mining the first block of bitcoins ever (known as the “genesis block”), which had a reward of 50 bitcoins. The value of the first bitcoin transactions were negotiated by individuals on the bitcointalk forums and the user “laszlo” made the first real-world transaction by buying two pizzas in Jacksonville, Florida for 10,000 BTC.

Bitcoin currency is generated through a complex cryptographic algorithm known as "mining"
Bitcoin currency is generated through a complex cryptographic algorithm known as “mining”

 

Very soon the advantages of crypto currency were noticed by a number of Internet freedom and anti-establishment associations, and that gave the first impact to the popularization of the new currency. In June 2011 Wikileaks and other organizations began to accept bitcoins for donations. The Electronic Frontier Foundation began, and then temporarily suspended, bitcoin acceptance, citing concerns about a lack of legal precedent about new currency systems. The EFF’s decision was reversed on 17 May 2013 when they resumed accepting bitcoin.

In January 2012, bitcoin was featured as the main subject within a fictionalized trial on the CBS legal drama The Good Wife in the third season episode “Bitcoin for Dummies”. The host of CNBC’s Mad Money, Jim Cramer, played himself in a courtroom scene where he testifies that he doesn’t consider bitcoin a true currency, saying “There’s no central bank to regulate it; it’s digital and functions completely peer to peer”.

In October 2012, BitPay (the World’s first online Bitcoin payment operator) reported having over 1,000 merchants accepting bitcoin under its payment processing service.

In February 2013 another bitcoin-based payment processor Coinbase reported selling US$1 million worth of bitcoins in a single month at over $22 per bitcoin. The Internet Archive announced that it was ready to accept donations as bitcoins and that it intends to give employees the option to receive portions of their salaries in bitcoin currency.

Today the price of Bitcoin has breached the $1,000 mark, hitting a more than three-year high. It was trading at $1,021 at the time of publication, at level not seen since November 2013, with its market capitalization exceeding $16 billion.

During last 3 years Bitcoin price have grown exponentially
During last 3 years Bitcoin price have grown exponentially

 

Bitcoin has been on a steady march higher for the past few months, driven by a number of factors such as the devaluation of the yuan, geopolitical uncertainty and an increase in professional investors taking an interest in the asset class.

Among other factors which may have contributed to this rise were the European sovereign-debt crisis—particularly the 2012–2013 Cypriot financial crisis—statements by FinCEN improving the currency’s legal standing and rising media and Internet interest. The current all-time high was set on 17 November 2013 at US$1216.73

The success story of the world’s first crypto currency proves that the innovation penetrates all the spheres of human activity and even such a conservative and unchanged thing as a currency may be radically transformed and re-engineered in order to meet the requirements of the present day reality. Bitcoin appeared due to the instability of the financial markets and willingness to save the capital in the currency that will not be controlled by any central authority, but by the mathematical algorithm of extraction.

Once again that proves that the innovation is the driving force of technical progress. And this is something that we believe in in Falcon Technologies International. For more than a decade we never stopped to improve the technology of professional optical media production in order to be always on the top of the industry paramount.

How to Let Your Media Speak for Itself?

Even though we live in the era of flash-memory, hard disc drives and cloud storage solutions, optical disc still remains number one choice for the offline data distribution and long-term information storage and archiving.

Optical disc - still leading archival tool
Optical disc – still leading archival tool

 

Just like a good old book, an optical media disc also has a cover that contains the summary of what is recorded on it – otherwise it would be impossible to distinguish two absolutely identical glowing circular pieces of pressurized polycarbonate from each other. A disc printable layer (sometimes called simply “label”) is something that gives a disc personality, lets it speak for itself and identifies what is recorded on it. It is important for this label to be vibrant and colorful to replicate the design that was initially tailored by the publisher, so that the end consumer will be able to understand what type of content is on the disc from the very first glance.

Vibrant and colourful disc label - good way to boost the sales potential of the media
Vibrant and colourful disc label – good way to boost the sales potential of the media

 

There were plenty ways to create the labels for the media: the most common method was  to print the design on circular pieces of paper and glue it to the surface, but times have changed and not it is impossible to glue discs that spin at over 5000 RPM instead of 33 RPM back in the days of vinyl. Some manufacturers even tried to implement a technology of “in-drive label burning”, but the labels made with this technology were typically black and white and very faded.

Vibrant and colourful disc label - good way to boost the sales potential of the media
Vibrant and colourful disc label – good way to boost the sales potential of the media

 

For over a decade, Falcon Technologies International LLC prioritized its Research and Development efforts on printable surfaces and managed to implement high-tech solutions into its production process. FTI’s wide range of printable layers are designed to meet any professional media duplication industry requirements according to highest standards.

FTI is proud to introduce its brand new SMART GLOSSY printable layer – a surface that is able to illustrate your personalized graphics and labels brighter and shinier than ever before. FalconMEDIA Smart Glossy printable discs are perfect to create customized, long-lasting, ultra-vivid design disc labels. Our Research and Development team have invested significant resources to tailor this brand new technology to allows you to have superior image definition, color saturation and vivid quality of printed graphics.

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Key Features of the Product:

  • Superior ink absorption and faster ink drying printable surface (best in class)
  • Better glossiness surface delivering full color, glossy photo quality printing
  • Excellent color whiteness
  • Consistent printing across the full surface giving excellent uniformity
  • Long lasting print surface
  • Excellent water resisitant quality makes the printable surface free from scratches, smudging and smearing in wet conditions
  • High yield on inkjet printer (economic ink consumption)
  • Excellent Black/White Contrast with economical ink saturation setting
  • Wider compatibility on all standard professional inkjet printers
  • Good handling characteristics to ensure smooth operation with leading robotic duplication and publishing systems

To conclude it would be fair to note here that in media duplication and distribution business it is very important to select the right supplier, that is able to ensure high quality of the optical media and compatibility with a wide range of mass-printing equipment.

Critical Role of Data Archiving for the Financial Institutions

Finance is an excessively regulated industry, with many moving parts and data that must be monitored and reported in order to stay protected and compliant with all regulations. One of the most important aspects of regulatory compliance for banks and financial organisations is record keeping and archiving electronic communication data. With the right tools and plans in place, archiving compliance does not have to be a daunting task.

Financial institutions generate a lot of data, which has to be archived by law.
Financial institutions generate a lot of data, which has to be archived by law.

 

Brokers, dealers, investment advisors, lending agents, futures and transfer agents, and businesses like mortgage companies, credit unions, banks, hedge funds, private equity firms, exchanges, commercial and retail banks, lenders and insurers, payday lenders, foreclosure relief services and debt collectors are all required to capture, monitor and archive business related communication data for review, audits, eDiscovery, litigation, and compliance.

But how do you become compliant? Let’s just jump right into the What, Why, and How of archiving compliance for banking and financial organisations.

Compliance with data archiving regulations is vital prevention of cyber crimes.
Compliance with data archiving regulations is vital prevention of cyber crimes.

 

In short, a financial institution of any kind should be archiving all business related electronic communication data.

Email has been around long enough that just about everyone realizes the need to have a complete and easily accessible email archive. But you should really be archiving every bit of electronic communication data created by your organization. This includes social media, instant messaging, and content created on mobile devices.

The most obvious reason to archive emails and other business communication data is that your business is regulated and thus, mandated to do so.

Another thing that has to be archived - corporate e-mails
Another thing that has to be archived – corporate e-mails

 

Another reason why you should archive, that isn’t obvious at first, is data leakage. If you have proprietary data, customer account, transactional or confidential information, you are obligated to make sure that it isn’t shared, either purposefully or accidentally. The use of email, social media, instant messaging, and mobile devices increases the ease at which your employees could share this type of data. Couple that with the fact that the line between personal and business communication is blurred on corporate mobile devices. In addition to data leakage, you need to guard against insider trading, inappropriate financial advice, and stating personal beliefs about a financial investment or trade as fact. Having an archiving solution provides you with protection against these threats by giving you oversight. This oversight on employee communication data, coupled with an effective communication policy, will not only discourage bad behavior, but will encourage proper behavior according to established policy. Your employees will know that, according to your policy, everything they communicate is being stored and can be accessed for review.

As you can see, almost every commercial entity produces and accumulates large amounts of various data on a daily basis, so the “archival question” is becoming more actual nowadays and will become even more critical in the future. Data storage and archival solutions in the age of “informational revolution” we live in are required to provide not only the big data storage and rendering capacities, but also ensure the integrity and accessibility of data for years, decades and centuries.

art4Falcon Technologies International LLC’s Research and Development team have created a solution that complies with the archival needs and requirements of the financial institutions and government entities. Our FalconMEDIA Century Archival CDs and DVDs with golden and platinum reflective layers showed outstanding results during the internal and third-party benchmarking tests: data stored on these professional archival discs stays accessible and integer for more than 500 years – timeframe that is enough to archive data for almost 7 future generations of the humanity.
Source: GWAVA

Falcon Technologies International LLC Celebrates 11th Anniversary

Falcon Technologies International LLC have celebrated its 11th anniversary on November 13th, 2016. Since the company launch in 2005, we have managed to build a great team of specialists to develop and manufacture the highest quality of optical media products available in the market today. Marking the beginning of second decade on the global market, FTI is looking forward to further development and growth of its worldwide presence and remaining at the cutting edge of product development and quality assurance in the field of optical media.

On behalf of the FTI Management Team we would like to thank all of our clients and partners worldwide for being with us all these years!

 

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The need for innovation and longevity in technology

Thirteen seems to be the unlucky number for Apple, with a decline in iPhone sales leading to the first revenue decline in 13 years. This has been attributed in part to the struggling Chinese economy, still the second-largest market in the world for Apple products behind the USA. The iPhone accounts for nearly two-thirds of Apple’s revenue. However the company sold 16% fewer iPhones than it had during the same period in 2015 and made 18% less profit from them. The total tally for the device was $32.9bn from 51.2m phones sold; the year previous Apple brought in $40.3bn from 61.2m phones.

 

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So what is exactly driving the first annual revenue decline since 2001? Perhaps the entry price of the smartphone in the developing world is still a barrier, even among very inexpensive devices. The iPhone smartphones designed and marketed by Apple Inc. run Apple’s iOS mobile operating system with the first generation iPhone being released on June 29, 2007. Followed by the iPad, and both were constantly updated with new, highly-anticipated iterations which sold in their hundreds of millions around the world, sending the company’s sales to ever soaring heights. A year ago Apple sold $58bn worth of gadgets, this equates to nearly $650m a day in the first three months of the year.

The Apple Watch has been publicized by the company as a multi-billion dollar business, rivaling many classic watch brands. Thus So far Apple has not delivered a breakout detailing the number of units sold per quarter. Instead the Apple Watch revenue has been combined with other products including the iPod, Apple TV, and Beats. Samsung shipped 0.4 million of its Gear and Gear2 watches in both 2015 and 2016. However Garmin was the only brand to show growth with shipments of 0.6 million in the third quarter of 2016 compared with 0.1 million in 2015.

Apple has promised some “amazing innovations” in the pipeline. Such as new headphone ports which are dust-proof and waterproof, and the redesign of key buttons. Are these innovations going far enough and will the brand achieve longevity? Many see Apple’s iPhone 7 objective as a premium product and not innovation. The products no longer have their unique appeal and a point of mental saturation has been reached.

Google self-driving car project

In the battle for longevity, constant new ideas and innovation sees one stand out diverse innovation are the Google self-driving cars, this represents a new breed of autonomous cars, developed by Google X as part of its project to develop technology for mainly electric cars. The vehicles are taught to navigate through many complicated scenarios on city streets.

 

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These cars use their sensors and software to sense objects like pedestrians, cyclists, vehicles and more and are designed to safely drive around them. The cars use sensors and software to detect objects like pedestrians, cyclists, other vehicles and more (e.g. How to navigate through construction zones), and are designed to safely drive around them. The development has been initiated since 2009 and the work is building towards vehicles that take you to a destination at the push of a button. Components have been added to existing cars like Lexus SUVs, the next step sees designing of a new prototype from the ground up to better explore what should go into a fully self-driving vehicle. This includes removing the steering wheel and pedals, and incorporating software and sensors which will handle the driving.

FTI and innovation

At the heart of the range of products Falcon Technologies International L.L.C., FTI offer is Innovation. Innovation is the key driving force behind our product diversity. FTI has always believed that a strong culture of innovation, in all areas of the company, is an essential contributor to business success. High quality R&D has historically been at the foundation of FTI since it’s inception in 2005, and the company has consistently invested in extensive and innovative product R&D, and in acquiring a world-class, in-house knowledge base at the forefront of the optical digital media technology landscape. With the aim of market longevity and creativity today FTI continues to engage in cutting-edge R&D, internally and in collaboration with partners in academia, research and commerce.

FalconMedia SOUND suits both professional and amateur recording requirements, whether mass producing an audio CD, recording a concert master copy, or facilitating the amateur musician who wants to produce and sell his music on a smaller scale.

 

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FTI’s culture of R&D and innovation go hand-in-hand, with our central commitment to new product development, process and manufacturing improvements, segmented market research and advancements in the science of Optical Digital Media key indicators of how innovation runs through the fabric of FTI’s operations.

Powerful computing and storage implications

Technology has come a long way. We see constant development and growth in terms of computing hardware, software and storage. Although some technologists say, those gains are stalling, perhaps limited in by the physical boundary of raw materials that are used in central processing units.

 

Supercomputers are developing even faster than consumer-oriented computing technologies
Supercomputers are developing even faster than consumer-oriented computing technologies

 

Recently Microsoft thinks it may have found the solution namely field programmable gate arrays (FPGAs). A FPGA is an integrated circuit designed to be configured by a customer or a designer after manufacturing – thus it is said to be “field-programmable”. To define the behavior of the FPGA, the user provides:

  • a hardware description language (HDL)
  • or a schematic design.

 

The HDL form is more optimal for large structures as you can specify them numerically rather than having to draw every piece by hand. However, schematic entry can allow for easier visualization of a design. FPGA allows you flexibility in your designs and is a way to change how parts of a system work without introducing a large amount of cost and risk of delays into the design schedule. Many designers have the false impression that building a system with a modern FPGA means you have to deal with millions of logic gates and a massive amounts of connections just to do something useful. But if that were the case, FPGA use wouldn’t be growing: Instead, there would only be about a half dozen FPGA users left. It turns out FPGA designers have done much of the heavy lifting of adding commonly needed components so all that you have to concentrate on is customizing those functions that are specific to your application. Examples of components produced by designers comprise: clock generators, dynamic random access memory (DRAM) controllers and even whole multicore microprocessors.

 

A Spartan FPGA from Xilinx
A Spartan FPGA from Xilinx

 

This type of computer chip that can be reprogrammed for specific tasks after they leave the factory floor, are adding firepower to Microsoft’s network of on-demand computing power.

What does this mean in real terms?

Using all of the power of Microsoft’s data centers worldwide, the company could translate all 5 million articles on the English language Wikipedia in less than a tenth of a second.

In the past 2 years Microsoft has quietly been installing FPGAs on the new servers; Microsoft added to its global fleet of data centers. They’re present usage includes ranking results in the Bing search engine and speed the performance of Microsoft’s Azure cloud-computing network. Microsoft is alone among major cloud-computing players in widely deploying FPGA technology.

There are also implications for high performance computing and data storage such as solutions for Network Attached Storage (NAS), Storage Area Network (SAN), servers, and storage appliances.

Project Catapult is the technology behind Microsoft’s hyperscale acceleration fabric. The supercomputing substrate is built with the aim to accelerate the efforts in networking, security, cloud services and artificial intelligence.

Project Catapult combines an FPGA integrated into nearly every new Microsoft datacenter server. By exploiting the reconfigurable nature of FPGAs, at the server, the Catapult architecture delivers the efficiency and performance of custom hardware without the cost, complexity and risk of deploying fully customized ASICs into the datacenter. Moreover, the performance gain compared with CPUs is monumental and with less than 30% cost increase, and no more than 10% power increase.

Catapult FPGA Accelerator
Catapult FPGA Accelerator

 

Other FPGA Applications

Due to their programmable nature, FPGAs are an ideal for numerous markets. As the industry leader, Xilinx provides comprehensive solutions consisting of FPGA devices, advanced software, and configurable, ready-to-use IP cores for markets and applications such as:

  • Aerospace & Defense – Radiation-tolerant FPGAs along with intellectual property for image processing, waveform generation, and partial reconfiguration for SDRs.
  • Industrial – Xilinx FPGAs and targeted design platforms for Industrial, Scientific and Medical (ISM) enable higher degrees of flexibility, faster time-to-market, and lower overall non-recurring engineering costs (NRE) for a wide range of applications such as industrial imaging and surveillance, industrial automation, and medical imaging equipment.
  • Medical – For diagnostic, monitoring, and therapy applications, the Virtex FPGA and Spartan® FPGA families can be used to meet a range of processing, display, and I/O interface requirements.
  • Security – Xilinx offers solutions that meet the evolving needs of security applications, from access control to surveillance and safety systems.
  • Wireless Communications – RF, base band, connectivity, transport and networking solutions for wireless equipment, addressing standards such as WCDMA, HSDPA, WiMAX and others.

 

The advancement in computing power and storage capability combined with substantial savings and efficiency introduced through FPGA technology mean the world of supercomputing is more accessible then ever.

At the same time, the advancement of supercomputing technologies automatically means more data storage requirements. Every year world produces more and more data and therefore more and more information needs to be stored. Some information needs to be stored for more extended periods of time like 10-20-30 or even 100 years. There is no better long-term data storage mediums than archival discs.

Falcon Technologies International LLC has developed Century Archival product line, which is a cutting-edge technology with built in Gold or Platinum layers to ensure maximum security, longevity and protection for stored data.

Century Archival products are designed to secure data for hundreds of years – FTI’s Century Archival DVD product has been demonstrated in testing to be capable of storing data for up to 200 years, whereas the Century Archival CD product has demonstrated a longevity in excess of 400 years, making the Century Archival line the most durable and secure archival digital media product available in the market today.